this is an archive filled with writing tips, prompts, inspiration and resources.
"If there's a book that you want to read, but it hasn't been written yet, then you must write it" - Toni Morrison
Have some painful character development ideas, because if I have to suffer, so do you.
What would your character what their last words to be, and who would they want to say them to?
If your characters’ loved ones were in danger but they only had time to save one of their lives, who would they choose?
Your character is given the choice to either die an excruciatingly painful death or have one of their loved ones die in a painless way. Do they save their loved one’s life or their own?
Your character has the opportunity to fix one of their most grievous mistakes, but doing so will ensure that they never meet at least one of their loved ones and they will not have any memory of their relationship with those loved ones. Do they take the chance to fix the mistake anyway?
What are your character’s deepest regrets?
Are there any events in your character’s life that they feel wholly negative about, no silver lining whatsoever?
Does your character have any unfulfilled dreams that can never come true?
How was your character first introduced to the concept of death? How did they react?
Does your character have any negative associations with otherwise neutral or positive things–i.e., not liking a certain television show because their parents always argued during the time that it came on and the character watched it as a (failed) attempt to distract themselves.
Hi, I'd just like to ask you for some advice on how you develop your OC's. I've been trying to start up a story for a while now but it's difficult for me to develop really believable characters and I just wondered if you'd have some advice on that. Thanks). xx
Hey, anon! I got this message while I was at work so I’m sorry if it’s a bit late! I can’t tell you exactly how I do it because some things just click into place and sometimes it feels like magic mixed with sheer dumb luck. But here is some of my advice to you!
Read:
Exploring someone else’s world, their paracosm may help to inspire your own.
The first major book series I read was Harry Potter (surprise, surprise), and when I was younger (though I am embarrassed to say, lord help me), I was in fact in love with Harry Potter, he made me happy (I also had a serious crush on Sirius Black @ baby me, wtf) so I used to imagine myself as a character in HP that came along and fixed all of Harry’s woes, I was his light, his princess in shiny kickass armor, and soon this fictionalized version of me took on a character of her own.
Fanfic & Retellings:
If anyone ever says fanfic isn’t ‘real writing’, they can bite me. Fanfiction is valid, you’re pouring your heart and soul into the work, and not just the work but the characters. As with retellings (of myths, fairy tales, etc.) the world and the characters were already built, but the moment you write for them, for that brief inexplicable moment, those characters are yours.
Let them be yours. And then let those characters spawn, let that world expand, and then cultivate those characters you find in that other world that are truly your own and bring them into your own world.
All in a name:
Sometimes seeing a specific name or even a word that reminds me of a name, conjures a picture or a voice, fills my head with this creature’s story. Knowing the meaning or the origin of that name can add to the back story and depth of a character (i.e. why did their mother or father or parent name them this?).
Sometimes, I have to find a picture first, seeing a model or an actress can sometimes give depth to a character because when you know what they look like on the outside, you can start building the inside or vice-versa when you have a character in your head all built up and then you find that one picture of that one model that completes them.
Research:
Characters are a by-product of the environment they live in much like actual people. If your character lives in a world where robots have become sentient and want basic ‘human’ rights, study robotics, philosophy, dystopias, when you’ve created a world, you can decide how your character is going to react to that world. Are they rebellious? Are they afraid of robots and must learn to get over that prejudice? Will they fight for robotic rights? Will they be the villains of the tale? What are they going to learn from this world?
History has always been an inspiring point for me, other and ancient worlds have always spoken to me so I research them, I get to know the people and the world, and then set my characters loose on it, how would they have reacted if they lived in a village that was hit by the Black Plague or taken over by Vikings?
Headcanons:
Create headcanons for your characters. If you see a text post on tumblr that says ‘imagine your otp’ than imagine your own characters. Play those headcanon games used for someone else’s fictional characters and play with your own.
Come up with a list of random facts about that character (i.e. Emily is the kind of character who will listen to Vivaldi when on a heist but prefers electronica on her days off. Her favorite color is periwinkle. She has a cat named Buffy [after the show], and her favorite ice cream is mint chocolate chip.) Knowing all those tiny, seemingly insignificant things will bring depth to your character, those little things make us who we are.
Believability is subjective. There are going to be characters who are too good to be true, either they seem too perfect or they seem to imperfect. Use your own emotions and experiences to give credibility to a character, if there’s something in my life that I cannot control, that has significantly left a mark on me, it’s something I can deal with via my characters, I can work it out through them even though it might not work in real life. I can take my anguish and my sorrow and my humor and wrap flesh around it and send it off into another universe with another name.
I read recently (I think it was on maggie-stiefvater‘s blog) that writing characters is like writing a thesis paper and you’re trying to convince everyone reading them that they exist. I know I probably mangled that quote but I like it, and I think it speaks to what we do as writers. We make these worlds and these characters and we ask others to accept them, to believe in them, and love them.
I really hope at least some of this helped? It’s about 2am for me (I didn’t get home from work until after midnight) and I’m a little worried it’s all over the place, but I hope it makes sense!
As a writer, one of your main jobs is to get your readers to
believe in the illusion you’re creating in your story. Deep down, we know that
characters aren’t real people, but we suspend our disbelief to really put
ourselves inside a fictional world. While characters can also be layered and
complex, there’s a big difference—they’re not real people.
Here are a few
differences to consider when building your own characters:
Characters are simpler
than real people
I know, I know. How can I say that your favorite character
from your favorite book series isn’t as complex as your next door neighbor? You
know a lot more about your favorite character because you’ve followed their ups
and downs for like 5 books now.
But the truth is your next door neighbor has a very real and
very complex life and they’ll always have more depth than any character in a
fiction novel. Authors only tend to focus on certain traits of a character;
ones that pertain to the story and help drive the novel forward. Adding a lot
more detail could bog the story down and feel unnecessary. Like I said before,
characters can be complex and layered, but we’re only experiencing a powerful
illusion. This is actually helpful for writers because it helps manipulate your
readers’ emotions depending on what story you’re trying to tell. You get to
guide your characters and where they’re going.
You’re only sharing a
slice of life
Most of the time when you’re writing about a character, you’re
only sharing the most dramatic moments of their existence. There’s a reason you’re
telling the story and it’s not just them living their normal day-to-day lives.
There’s usually the stasis that moves on to the inciting incident that gets
them away from what they’re used to. We all know that real life can be tedious
and boring for the most part. I’m not saying nothing exciting happens to real
people, but we do work and go to school and sleep every night…the boring parts
are usually cut out of fiction (depending on your story)
Again, obviously this all depends on your story, but there’s
usually some excitement that pops up in stories that doesn’t always happen to
real people. We are reading about what’s most representative of your character’s
life.
You never know
exactly what real people are thinking
This is one of the biggest differences between characters
and real people. In novels, if the writer chooses to do so, the innermost
thoughts of characters can be revealed. In real life, it’s impossible for us to
know what someone else is thinking. They might tell us, but we’ll never have
that sort of deep insight we’d have in a work of fiction.
Use this to your advantage as a writer because it doesn’t
happen in real life. Share your
protagonist’s thoughts if you think it will help develop your story.
Unlikeable people can be a pain to write if they’re a main character. After all, our audience needs to like them enough to be around them for the course of the story. If our readers can’t stand them, they won’t want to read about them. But sometimes our protagonists are meant to be bad. They need to be bad. Heck, sometimes even the likeable people in our stories have jerk-qualities.
So how do we render their bad-qualities without driving our readers to throw our books across the room?
We turn our unlikeable people into likeable characters.
We make them such likeable characters, that the audience forgives, accepts, or overlooks that they are unlikeable people.
Creating a perfect character usually isn’t a good idea, so
you might want to consider giving your characters a few well thought out flaws.
There needs to be something internally that prevents them from reaching their
goals or something that stops them from being the most wonderful/impressive
person in the room.
Here are a few tips on
writing character flaws:
Balance
Negative/Positive
No one’s perfect, so your characters shouldn’t be either. We
all have both negative and positive traits—some that drive people crazy and
some that people talk about affectionately (Also, this depends on who you talk
to). Maybe we have great ideas, but we never take the initiative to execute
them properly. Flaws will help balance out your characters and make them feel
real. This should be something beyond “I’m so awkward it’s adorable” or “I’m so
pretty/handsome, but I don’t know it”.
Tie them into the
plot
It’s super important that these flaws play into the plot
somehow or they run the risk of falling flat for your readers. If your
character is notoriously lazy or lacks motivation, how will this affect the rest
of the story? Will your character have trouble snapping into action? If you don’t
do something with these flaws, there’s no point in mentioning them. A great
example is Ned Stark from Game of Thrones. He is loyal/honorable to a fault and
it causes huge problems for him later down the line. Being honorable isn’t
necessarily a bad thing, but depending on the story, it can cause a character’s
downfall.
Get to know your
characters
Creating great character flaws really comes down to knowing
your characters on a deeper level. Some writers throw in flaws that don’t
really matter because they don’t know what to do with their characters. Maybe
they haven’t thought out the story enough or maybe they’re afraid readers will
see their characters in a negative light. The truth is we like reading about
people who are flawed because they feel real and relatable. There’s no one in
the world who does the right thing all the time. Do some planning before you
start penning your novel and you’ll be able to shape who your character really
is and what they want.
(a note from Pear: this table of contents is currently up-to-date. should I decide to return to this series, later posts will be added to this table of contents. all posts original to this blog may be found under the posts by pear tag.)